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    <title>Create-exchange</title>
    <description>Collaborative arts in Ireland podcasts - an initiative from Create, the national development agency for collaborative arts in Ireland</description>
    <link>http://www.create-exchange.ie</link>
    <language>en-gb</language>
    <copyright>Copyright 2010</copyright>
    <lastBuildDate>Mon, 07 Dec 2009 00:00:00 +0000</lastBuildDate>
    <pubDate>Mon, 07 Dec 2009 00:00:00 +0000</pubDate>
    <docs>http://blogs.law.harvard.edu/tech/rss</docs>
    <webMaster>ben@marvellousmedia.com (Ben Neale)</webMaster>
    
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    <itunes:author>Create-exchange</itunes:author>
    <itunes:subtitle>Collaborative arts in Ireland podcasts - an initiative from Create, the national development agency for collaborative arts in Ireland </itunes:subtitle>
    <itunes:summary>Collaborative arts in Ireland podcasts - an initiative from Create, the national development agency for collaborative arts in Ireland </itunes:summary>

    <itunes:owner>
           <itunes:name>Create-exchange</itunes:name>
           <itunes:email>ben@marvellousmedia.com</itunes:email>
    </itunes:owner>

<itunes:explicit>No</itunes:explicit>

<itunes:image href="http://www.create-exchange.ie/images/podcast.png"/>
   
<itunes:category text="Arts">
     <itunes:category text="Collaborative Arts"/>
</itunes:category>

<item>
<title>Dylan Tighe talks to Peter Crawley 1/2</title>
<link>http://www.create-exchange.ie/player/dylan-tighe-talks-peter-crawley-1/2/78/</link>
<guid>http://www.create-exchange.ie/podcast/create_193F7E5D-4DE5-9864-3388-4E55D18A6941.mp3</guid>
<description>Peter Crawley theatre critic is in conversation with theatre director Dylan Tighe about &lt;em&gt;The Trailer Of Bridget Dinnigan&lt;/em&gt;. Dylan is directing a forthcoming production which is a translation and adaptation of Federico García Lorca&apos;s  play The House of Bernarda  Alba. In 2008 Dylan contacted the Blanchardstown Traveller Development Group about collaborating on the adaptation and has been working on the development of the work as a full scale production of this work at the Project in 2010.&lt;br&gt;
&lt;br&gt;In &lt;strong&gt;Part One&lt;/strong&gt;, Peter and Dylan discuss the process of translation and adaptation and the challenges of transferring the action of   Lorca’s play from 1930s Spain to a modern day  halting site in Ireland.&lt;br&gt;&lt;br&gt; 

In &lt;strong&gt;Part Two&lt;/strong&gt;, Dylan talks about the input and collaboration of Catherine Joyce and   the eleven Traveller women who will take the key roles and how that collaborative process shaped and influenced  the adaptation. Dylan also discusses the politics of representation in relation to culturally diverse groups in the theatre.&lt;br&gt;&lt;br&gt;
The &lt;a href=&quot;http://www.create-ireland.ie/professional-development/artist-in-the-community-scheme.html&quot;&gt;Artist in the Community Scheme&lt;/a&gt; funded a research phase for the production, while the ongoing development of the work is funded by a Once-Off Award from Arts Council.</description>
<enclosure url="http://www.create-exchange.ie/podcast/create_193F7E5D-4DE5-9864-3388-4E55D18A6941.mp3" length="23891490" type="audio/mpeg"/>
<category>Performing Arts</category>
<pubDate>Mon, 07 Dec 2009 00:00:00 +0000</pubDate>

<itunes:author>Create-exchange</itunes:author>

<itunes:explicit>No</itunes:explicit>
<itunes:subtitle>Dylan Tighe talks to Peter Crawley 1/2</itunes:subtitle>
<itunes:summary>Peter Crawley theatre critic is in conversation with theatre director Dylan Tighe about &lt;em&gt;The Trailer Of Bridget Dinnigan&lt;/em&gt;. Dylan is directing a forthcoming production which is a translation and adaptation of Federico García Lorca&apos;s  play The House of Bernarda  Alba. In 2008 Dylan contacted the Blanchardstown Traveller Development Group about collaborating on the adaptation and has been working on the development of the work as a full scale production of this work at the Project in 2010.&lt;br&gt;
&lt;br&gt;In &lt;strong&gt;Part One&lt;/strong&gt;, Peter and Dylan discuss the process of translation and adaptation and the challenges of transferring the action of   Lorca’s play from 1930s Spain to a modern day  halting site in Ireland.&lt;br&gt;&lt;br&gt; 

In &lt;strong&gt;Part Two&lt;/strong&gt;, Dylan talks about the input and collaboration of Catherine Joyce and   the eleven Traveller women who will take the key roles and how that collaborative process shaped and influenced  the adaptation. Dylan also discusses the politics of representation in relation to culturally diverse groups in the theatre.&lt;br&gt;&lt;br&gt;
The &lt;a href=&quot;http://www.create-ireland.ie/professional-development/artist-in-the-community-scheme.html&quot;&gt;Artist in the Community Scheme&lt;/a&gt; funded a research phase for the production, while the ongoing development of the work is funded by a Once-Off Award from Arts Council.</itunes:summary>
<itunes:duration>00:24:53</itunes:duration>
<itunes:keywords>      The Trailer Of Bridget Dinnigan, Bridget Dinnigan, Peter Crawley, Dylan Tighe, Lorca, Federico García Lorca, The House of Bernarda Alba, play, 1930s, Spain, halting site, Ireland, Catherine Joyce, Artist in the Community Scheme, Blanchardstown Traveller Development Group.            </itunes:keywords>

</item>
<item>
<title>Dylan Tighe talks to Peter Crawley 2/2</title>
<link>http://www.create-exchange.ie/player/dylan-tighe-talks-peter-crawley-2/2/79/</link>
<guid>http://www.create-exchange.ie/podcast/create_CE636119-8172-9AF0-E44F-1D8CF5479B2D.mp3</guid>
<description>      Peter Crawley theatre critic is in conversation with theatre director Dylan Tighe about &lt;em&gt;The Trailer Of Bridget Dinnigan&lt;/em&gt;. Dylan is directing a 

forthcoming production which is a translation and adaptation of Federico García Lorca&apos;s  play The House of Bernarda  Alba.&lt;br&gt;&lt;br&gt; 
&lt;strong&gt;Part Two:&lt;/strong&gt; Dylan talks about the input and collaboration of Catherine Joyce and   the eleven Traveller women who will take the key roles and 

how that collaborative process shaped and influenced  the adaptation. Dylan also discusses the politics of representation in relation to culturally diverse 

groups in the theatre.</description>
<enclosure url="http://www.create-exchange.ie/podcast/create_CE636119-8172-9AF0-E44F-1D8CF5479B2D.mp3" length="28399177" type="audio/mpeg"/>
<category>Performing Arts</category>
<pubDate>Mon, 07 Dec 2009 00:00:00 +0000</pubDate>

<itunes:author>Create-exchange</itunes:author>

<itunes:explicit>No</itunes:explicit>
<itunes:subtitle>Dylan Tighe talks to Peter Crawley 2/2</itunes:subtitle>
<itunes:summary>      Peter Crawley theatre critic is in conversation with theatre director Dylan Tighe about &lt;em&gt;The Trailer Of Bridget Dinnigan&lt;/em&gt;. Dylan is directing a 

forthcoming production which is a translation and adaptation of Federico García Lorca&apos;s  play The House of Bernarda  Alba.&lt;br&gt;&lt;br&gt; 
&lt;strong&gt;Part Two:&lt;/strong&gt; Dylan talks about the input and collaboration of Catherine Joyce and   the eleven Traveller women who will take the key roles and 

how that collaborative process shaped and influenced  the adaptation. Dylan also discusses the politics of representation in relation to culturally diverse 

groups in the theatre.</itunes:summary>
<itunes:duration>00:29:34</itunes:duration>
<itunes:keywords>      The Trailer Of Bridget Dinnigan, Bridget Dinnigan, Peter Crawley, Dylan Tighe, Lorca, Federico García Lorca, The House of Bernarda Alba, play, 1930s, Spain, 

halting site, Ireland, Catherine Joyce, Artist in the Community Scheme, Blanchardstown Traveller Development Group.

</itunes:keywords>

</item>
<item>
<title>Triptik – new dances for not-so-new people 1/2</title>
<link>http://www.create-exchange.ie/player/triptik-–-new-dances-not-so-new-people-1/2/76/</link>
<guid>http://www.create-exchange.ie/podcast/create_739CDBAD-6741-0639-24A7-71AE9A525C24.mp3</guid>
<description>Cliodhna Shaffrey, independent arts consultant and curator, in conversation with the creators of &lt;em&gt;Triptik&lt;/em&gt;, Fearghus Ó Conchúir, Ríonach Ní Néill and Rebecca 

Walter. From &lt;a href=&quot;http://www.projectartscentre.ie/programme/whats-on/758-triptik&quot; target=_blank&gt;Dec 15-19 at the Project Arts Centre&lt;/a&gt;, &lt;em&gt;Triptik&lt;/em&gt; is a 

unique collaboration, in which the three contemporary choreographers invited people in their 60s and 70s to join in the  creation and performance of new 

works. The outcome is three new dances, created in close collaboration with and performed by a combined company of professional and non-vocational 

dancers.&lt;br /&gt;&lt;br /&gt;In &lt;b&gt;Part One&lt;/b&gt; the three choreographers talk about the genesis of Triptik and the way this work challenges preconceptions of who 

should be on stage, who can make art and who can dance. In &lt;b&gt;Part Two&lt;/b&gt; the three choreographers discuss in detail the collaborative process and how it 

affects the work they create. &lt;br /&gt;&lt;br /&gt;Triptik is produced by Ciotóg in association with Project Arts Centre, funded generously by the Arts Council and 

Dublin City Council, and was inspired by the Bealtaine Festival.                        </description>
<enclosure url="http://www.create-exchange.ie/podcast/create_739CDBAD-6741-0639-24A7-71AE9A525C24.mp3" length="14877803" type="audio/mpeg"/>
<category>Performing Arts</category>
<pubDate>Thu, 19 Nov 2009 00:00:00 +0000</pubDate>

<itunes:author>Create-exchange</itunes:author>

<itunes:explicit>No</itunes:explicit>
<itunes:subtitle>Triptik – new dances for not-so-new people 1/2</itunes:subtitle>
<itunes:summary>Cliodhna Shaffrey, independent arts consultant and curator, in conversation with the creators of &lt;em&gt;Triptik&lt;/em&gt;, Fearghus Ó Conchúir, Ríonach Ní Néill and Rebecca 

Walter. From &lt;a href=&quot;http://www.projectartscentre.ie/programme/whats-on/758-triptik&quot; target=_blank&gt;Dec 15-19 at the Project Arts Centre&lt;/a&gt;, &lt;em&gt;Triptik&lt;/em&gt; is a 

unique collaboration, in which the three contemporary choreographers invited people in their 60s and 70s to join in the  creation and performance of new 

works. The outcome is three new dances, created in close collaboration with and performed by a combined company of professional and non-vocational 

dancers.&lt;br /&gt;&lt;br /&gt;In &lt;b&gt;Part One&lt;/b&gt; the three choreographers talk about the genesis of Triptik and the way this work challenges preconceptions of who 

should be on stage, who can make art and who can dance. In &lt;b&gt;Part Two&lt;/b&gt; the three choreographers discuss in detail the collaborative process and how it 

affects the work they create. &lt;br /&gt;&lt;br /&gt;Triptik is produced by Ciotóg in association with Project Arts Centre, funded generously by the Arts Council and 

Dublin City Council, and was inspired by the Bealtaine Festival.                        </itunes:summary>
<itunes:duration>00:15:29</itunes:duration>
<itunes:keywords>      Triptik, Cliodhna Shaffrey, Fearghus Ó Conchúir, Ríonach Ní Néill, Rebecca Walter, dance, collaborative, choreographer, new dances for not so new people, Project Arts Centre                                    </itunes:keywords>

</item>
<item>
<title>Triptik – new dances for not-so-new people 2/2</title>
<link>http://www.create-exchange.ie/player/triptik-–-new-dances-not-so-new-people-2/2/77/</link>
<guid>http://www.create-exchange.ie/podcast/create_B098E2F4-B7C3-4E05-3F25-5BCDFF60EF7C.mp3</guid>
<description>Cliodhna Shaffrey, independent arts consultant and curator, in conversation with the creators of &lt;em&gt;Triptik&lt;/em&gt;, Fearghus Ó Conchúir, Ríonach Ní Néill and Rebecca 

Walter. From &lt;a href=&quot;http://www.projectartscentre.ie/programme/whats-on/758-triptik&quot; target=_blank&gt;Dec 15-19 at the Project Arts Centre&lt;/a&gt;, &lt;em&gt;Triptik&lt;/em&gt; is a 

unique collaboration, in which the three contemporary choreographers invited people in their 60s and 70s to join in the  creation and performance of new 

works. The outcome is three new dances, created in close collaboration with and performed by a combined company of professional and non-vocational 

dancers.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Part Two&lt;/b&gt;: the three choreographers discuss in detail the collaborative process and how it 

affects the work they create.            </description>
<enclosure url="http://www.create-exchange.ie/podcast/create_B098E2F4-B7C3-4E05-3F25-5BCDFF60EF7C.mp3" length="28569310" type="audio/mpeg"/>
<category>Performing Arts</category>
<pubDate>Thu, 19 Nov 2009 00:00:00 +0000</pubDate>

<itunes:author>Create-exchange</itunes:author>

<itunes:explicit>No</itunes:explicit>
<itunes:subtitle>Triptik – new dances for not-so-new people 2/2</itunes:subtitle>
<itunes:summary>Cliodhna Shaffrey, independent arts consultant and curator, in conversation with the creators of &lt;em&gt;Triptik&lt;/em&gt;, Fearghus Ó Conchúir, Ríonach Ní Néill and Rebecca 

Walter. From &lt;a href=&quot;http://www.projectartscentre.ie/programme/whats-on/758-triptik&quot; target=_blank&gt;Dec 15-19 at the Project Arts Centre&lt;/a&gt;, &lt;em&gt;Triptik&lt;/em&gt; is a 

unique collaboration, in which the three contemporary choreographers invited people in their 60s and 70s to join in the  creation and performance of new 

works. The outcome is three new dances, created in close collaboration with and performed by a combined company of professional and non-vocational 

dancers.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Part Two&lt;/b&gt;: the three choreographers discuss in detail the collaborative process and how it 

affects the work they create.            </itunes:summary>
<itunes:duration>00:29:45</itunes:duration>
<itunes:keywords>      Triptik, Cliodhna Shaffrey, Fearghus Ó Conchúir, Ríonach Ní Néill, Rebecca Walter, dance, collaborative, choreographer, new dances for not so new people, Project Arts Centre                  </itunes:keywords>

</item>
<item>
<title>Create AGM Performing Culture 1/2</title>
<link>http://www.create-exchange.ie/player/create-agm-performing-culture-1/2/70/</link>
<guid>http://www.create-exchange.ie/podcast/create_75155E50-6F36-DAAC-A9EC-79A772C5659B.mp3</guid>
<description>      Asa Simma, Saami  theatre maker and musician in conversation with Catherine Joyce, Chair of the Irish Traveller Movement Chaired by Ray Yeates. &lt;em&gt;Venue: Sean O Casey Community Centre, St Mary’s Road,East Wall, Docklands Dublin&lt;/em&gt;&lt;/ br&gt;&lt;/ br&gt;
&lt;a href=&quot;http://www.create-ireland.ie/events/public-lecture---performing-culture-wed.-june-17-7pm.html&quot;&gt;Performing Culture&lt;/a&gt; Part One: Åsa Simma’s approach to performance is to combine the traditions of her culture with her theatre training and modern media. The content of her work deals with both the day-to-day and the spiritual. Åsa discussed   the role of theatre as an agent of change and a means of giving new expression to traditional Saami culture; how theatre and culture helped in the struggle for self-determination of the Saami people; and together with Catherine Joyce reflected on the broader implications of culture and politics.&lt;/ br&gt;&lt;/ br&gt;
&lt;a href=&quot;http://www.create-ireland.ie/events/public-lecture---performing-culture-wed.-june-17-7pm.html&quot;&gt;Performing Culture&lt;/a&gt; Part Two: Ray Yeates opens up to the floor for questions to Asa Simma and Catherine Joyce</description>
<enclosure url="http://www.create-exchange.ie/podcast/create_75155E50-6F36-DAAC-A9EC-79A772C5659B.mp3" length="13557909" type="audio/mpeg"/>
<category>Performing Arts</category>
<pubDate>Wed, 17 Jun 2009 00:00:00 +0100</pubDate>

<itunes:author>Create-exchange</itunes:author>

<itunes:explicit>No</itunes:explicit>
<itunes:subtitle>Create AGM Performing Culture 1/2</itunes:subtitle>
<itunes:summary>      Asa Simma, Saami  theatre maker and musician in conversation with Catherine Joyce, Chair of the Irish Traveller Movement Chaired by Ray Yeates. &lt;em&gt;Venue: Sean O Casey Community Centre, St Mary’s Road,East Wall, Docklands Dublin&lt;/em&gt;&lt;/ br&gt;&lt;/ br&gt;
&lt;a href=&quot;http://www.create-ireland.ie/events/public-lecture---performing-culture-wed.-june-17-7pm.html&quot;&gt;Performing Culture&lt;/a&gt; Part One: Åsa Simma’s approach to performance is to combine the traditions of her culture with her theatre training and modern media. The content of her work deals with both the day-to-day and the spiritual. Åsa discussed   the role of theatre as an agent of change and a means of giving new expression to traditional Saami culture; how theatre and culture helped in the struggle for self-determination of the Saami people; and together with Catherine Joyce reflected on the broader implications of culture and politics.&lt;/ br&gt;&lt;/ br&gt;
&lt;a href=&quot;http://www.create-ireland.ie/events/public-lecture---performing-culture-wed.-june-17-7pm.html&quot;&gt;Performing Culture&lt;/a&gt; Part Two: Ray Yeates opens up to the floor for questions to Asa Simma and Catherine Joyce</itunes:summary>
<itunes:duration>00:28:14</itunes:duration>
<itunes:keywords>      Create AGM, Create, AGM, Performing Culture, Åsa Simma, Åsa, Asa, Simma, theatre maker, musician, Catherine Joyce, Katherine, Joyce, Chair, Irish Traveller Movement, Ray Yeates, Ray, Yeates</itunes:keywords>

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